Ali Reich                                                                                                                    4/23/04

Birth of Modern Europe

Final Project: Rough Draft I

 

Index Page

DaumierÕs Representation of the Working Class

The power of the working class, although easily seen now, with the presence and prominence of unions, was not always apparent throughout history. The potential of the working class was rarely taken into account prior to the late modern, and postmodern periods in history.  In France, in the mid 1800Õs, the working class finally realized their potential and importance in the functioning of the state, and a series of revolts erupted in order to gain the respect deserved by the lower class.

In France, in1830, their king, Louis-Philippe, and chief minister Fran¨ois Guizot, were put into power after a revolt for universal suffrage by both the bourgeoisie and the lower class. These revolts called for a better appreciation of the working classes and a reconciliation of power with liberty[1]. Louis-Philippe and Fran¨ois Guizot originally showed interest in the importance of the better living for the lower class, however, as their eighteen year reign passed, their views on the power of the lower classes radically changed. ŅI say that the aristocracy is the condition of modern societies, a necessary consequence of the nature of modern democracy.Ó ( Fran¨ois Guizot: Condition of the July Monarchy- Speech of October 5, 1831) This change in sentiments lead to a total disregard for lower class, and lead to a sever famine and unemployment within the working classes. They strived for both the right to vote and unions, but received neither. This mistreatment and neglect frustrated and angered the lower classes, and, in an act of self-declaration, revolted in February of 1848. Louis-Philippe and Guizot were overthrown and forced into exile.     

The French painter, Honore Daumier, often painted the lower classes, and understood the power that they had. In order to demonstrate this power, in pieces such as Third Class Carriage, Uprising, and The Chess Players, Daumier depicted the lower classes as religious figures, giving them a divine status and an immense amount of power. In giving this power to the lower class, Daumier began to experiment with a modern idea that had not yet been approached by other artists. His steps toward an understanding of the lower classes propelled him as a thinker of the modern times.

 

Links:

           

Third Class Carriage                               Uprising

 

                                  

 

The Chess Players                                    Daumier as a modern thinker

 



[1] Francios Guizot:  Condition of the July Monarchy- Speech February 20, 1831 (Fieldston BoME Reader)