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Sarah Pollak
February 17, 2000
PARIS
BEFORE 1830- SOCIAL ISSUES
(Gallic and Roman) Paris during
the Gallic and Roman period was first defined as Lutetia, after
being conquered by Caesar during the Gallic War in 52 BC. In a record of 1 AD Lutetia was mentioned as a Roman town. It was not until approximately
250 AD, however, that Paris began to catch on to Christianity. The role of
Christianity has been very important since that time. Encyclopedia
Britannica
(Pre to Early Medieval) At about
500, the Franks gained major influence over power, but the Roman
influence still remained strong. In the year 507, the Visigoths
took over Paris and placed heavy emphasis on Christianity. As a
result, Paris later became the center of religious life, centuries
before it was a center of commerce or cafés. However, Paris quickly
developed “a maze of by-streets”, forming a suburban area that connected
the center city to the houses around the churches. Therefore, it
is clear that people at that time were already balancing and/or
connecting church and state. Encyclopedia Britannica
Paris did lose some of its importance,
however, during the Carolingian Period. The Norman invasions in
the 880’s only made their situation worse. In 886, Paris was besieged.
Encyclopedia Britannica
(Fashion of Louis XIV) Above all,
fashion during the reign of Louis XIV was created in order to honor
the absolute power of the great monarch himself. Louis XIV created
his own style, which included high-heeled shoes (to make himself
feel taller), vests and tight pants with long silk socks for men,
and long, flowing dresses with tight bodices for women. While the
women were slightly more confined by their clothing, the dress for
both sexes was profusely ornamented with lace and ribbons, which
were representative of the Baroque Period. If Louis XIV liked a
certain style, that style was an official style of the time. Therefore,
the fashion of the time was set up rather similarly to the architecture
of Versailles during the reign of Louis XVI, which had every individual
home or area leading the monarch’s bedroom. Encyclopedia Britannica,
AOL, and “History of the Urban Form”
However, the fashion of Louis
XIV did not only express absolute monarchy, but it also reflected
some of the views on class issues of that time. The lavishly decorated
costumes revealed the fact that Louis XIV’s society was geared toward
the Aristocrats. The poor, however, copied the styles of the elite,
forcing the elite, or upper classes, to search for more ways to
distinguish themselves. Other styles were actually invented by the
peasants, and were later picked up by the wealthy or royalty. Lace,
for example, was first worn by the peasants. The court of Louis
XIV stole their beloved idea of lace from the peasants, who were
the first to use lace in clothing. Dress of the 16th
and 17th centuries was a status symbol, celebrating the
importance of the upper class as much as the honor of the absolute
monarch. Encyclopedia Britannica, and AOL.
(Gender Issues of the Café society)
Surprisingly, having women behind the counter of the salons
and cafés became common in the late 18th century and
early 19th century. In the beginning, the mere presence
of prostitutes, upper-class salon hostesses, working class women,
married women and widows in the cafés was threatening to the men.
After about 1789, however, women other than prostitutes and revolutionaries
were beginning to come into and even work in the cafés. The new
women were usually seamstresses or other working women. In the 1790’s,
women were often able to avoid being harshly criticized for going
to cafés as long as they openly supported the revolution. Women’s
participation in café politics went up to its peak with The Paris
Commune, but then, just two decades later, The Belle Époque marked
the greatest occurrence of prostitution in the café world. Although
the women visiting and working at the cafés slowly became part of
the sociability of the café, women continued to struggle, even throughout
the 19th century, to break the mold of prostitution.
The World of the Paris Café, W. Scott Haine
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