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The Influence of Freud on Modern Art
By changing the way human beings understand
the mind, Sigmund Freud allowed for great advances in art -- most
specifically, painting and literature.
In literature, D.H. Lawrences Sons
and Lovers provides an excellent example of the great impact
of Freuds studies. Sons and Lovers is an epic novel
that deals with one woman, Mrs. Morel, and her relationship with
her three sons. She is quite intimate with her first son, William,
up until his death. However, at that point she turns to her younger
son, Paul, and her loss forces her to become even more attached
to him. Indeed, the two are so intimate that they appear to have
a stronger relationship than that of a mother and son. The strength
of this relationship is due, in great part, to the way Paul protects
his mother from his father. Morel, Pauls father, works as
a miner. He is often manifested as having a cruel temper and an
alcohol addiction. These two vices cause Morel to abuse his wife.
Pauls disdain for his father is not only a result of Morels
beating his mother. It is because Lawrence believed in Freuds
Oedipal complex, which states that a son often feels the need to
fight his father for the love of his mother. Wrote Lawrence in Sons
and Lovers:
Paul hated his father.
As a boy, he had a fervent private religion.
"Make himstop drinking,"
he prayed very often.
"Let him be killed at pit,"
he prayed when, after tea, the father did not come home from work.
From reading Lawrence one gets the
impression that Lawrence must have once adamantly read Freud. Paul
Morels love for his mother is indicative of lust. It indicates
that he is jealous of his father for being able to love his mother
in a stronger way. Take sex, for example. Freuds theory that
all boys are in love with their mothers in right at the heart of
Sons and Lovers. Published shortly after The Interpretation
of Dreams, it is one of the first great works in literature
to make use of Freuds principles.
In art, Freuds influence extended directly
down upon the surrealist painter Salvador Dali. In Dalis 1929
The First
day of Spring, various images are combined on canvas to
represent a mind in turmoil. During the time in which he was painting,
Dalis relationship with his father was deteriorating. Unlike
other Surrealists, who were influenced by Freuds discoveries
of the unconscious and dreams, Dali paints images that are more
vivid. There is a photograph of Dali at the center of The First
Day of Spring, alone amidst a desolate strip of desert. In the
background, however, is an image of two people which represents
Dalis longing for a time when he was close to his father.
The other figures in the piece are engaging in sexual activity and
bizarre behavior. These images express the repressed rage Dali was
experiencing. They also evince Dalis faith in the Freudian
theory that no experience exits the mind. The First Day of Spring,
perhaps more a nightmare than a dream, shows how these experiences
from life manifest themselves in dreams. Dali also agrees with Freuds
theory that a dream manifests a wish fulfilled. In Dalis dream
the wish is a stronger relationship with his father.
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Lawrence
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Dali
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